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4 Tubas
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CORDES
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104
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95
Alto, Piano
79
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66
Trio à Cordes: violon, alto, violoncelle
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Violon
21
Contrebasse, Piano (duo)
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Harpe
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Alto seul
7
2 Violoncelles (duo)
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2 Violons (duo)
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4 Violoncelles
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Violoncelle (partie séparée)
5
Violon, Guitare (duo)
5
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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2 Altos (duo)
4
Violon, Alto (duo)
4
Contre Basse
3
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Violon (partie séparée)
2
Violoncelle, Orchestre
2
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto et Basson
1
Contrebasse (partie séparée)
1
2 Contrebasses (duo)
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Violoncelle, Basse continue
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Alto (partie séparée)
1
Violon, Basson (duo)
1
Harpe, Violon, Violoncelle
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Piano Trio: Violon, Alto, Piano
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Quatuor à cordes: 4 violons
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Trio à Cordes: 2 violons, violoncelle
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Quatuor à cordes : 4 altos
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
69
Orchestre d'harmonie
19
Ensemble de cuivres
19
Orchestre
13
Orchestre de chambre
9
Vibraphone
3
Ensemble Jazz
3
Ensemble de Percussions
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Instrumentation Flexible
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2 Marimbas
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Cloches
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AUTRES
Vous avez sélectionné:
Early Works
Quatuor de cuivres: 4 trombones
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Solage: Le basile for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by …
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Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.32 €
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Quatuor de cuivres: 4 trombones
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Solage
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James M
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Solage: Le basile for Trombone Quartet
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jmsgu3
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SheetMusicPlus
Kyrie (Durante) (Trombone Quartet)
Quatuor de cuivres: 4 trombones
Brass Ensemble,Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.1092487
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Brass Ensemble,Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.1092487 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696578. Published by Regis Bookshar (A0.1092487). Kyrie - by Francesco Durante; Trombone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Trombone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Trombone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.2 €
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Quatuor de cuivres: 4 trombones
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Fugue in C minor #2 from The Well-Tempered Clavier, Part I for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Ensemble Bass Trombone,Euphonium - Level 4 - Digital Download SKU: A0.1226108
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Trombone Ensemble Bass Trombone,Euphonium - Level 4 - Digital Download SKU: A0.1226108 Composed by Johann Sebastian Bach. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Historic. 19 pages. Charles Decker Music Press #822136. Published by Charles Decker Music Press (A0.1226108). From J.S. Bach’s Well-Tempered Clavier, Part I, the Fugue in C minor (No. 2) is arranged to showcase a trombone quartet of three tenors and one bass trombone on the familiar three-voice fugue. Bass and tenor clef parts are provided for trombone I. Beyond brass programs and special events consider featuring your trombone section on your band or orchestra concert. The recording is of the complete edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$7.95
7.32 €
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Quatuor de cuivres: 4 trombones
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Johann Sebastian Bach
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Charles Decker
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Fugue in C minor #2 from The Well-Tempered Clavier, Part I for Trombone Quartet
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Charles Decker Music Press
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SheetMusicPlus
'Promenade' from Pictures at an Exhibition - easy arrangement for trombone quartet/tuba
Quatuor de cuivres: 4 trombones
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.887012 …
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.887012 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5312711. Published by James Brady Music (A0.887012). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate trombones (1 bass trombone or tuba) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov). This arrangement presents the opening version of the 'Promenade', adapted to suit a group of 4 trombones (1 bass trombone or tuba) or similar group of bass clef instruments. The ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than Bb1 (optionally A1). The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.
$7.99
7.35 €
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Quatuor de cuivres: 4 trombones
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Modest Petrovich Mussorgsky
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James Brady
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'Promenade' from Pictures at an Exhibition - easy arrangement for trombone quartet/tuba
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James Brady Music
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SheetMusicPlus
Twelve Songs, Op. 44 for 4-part Trombone Ensemble
Quatuor de cuivres: 4 trombones
Composed by Johannes Brahms (1833-1897). Arranged by Sauer, Ralph. A Cappella, Baroq…
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Composed by Johannes Brahms (1833-1897). Arranged by Sauer, Ralph. A Cappella, Baroque, Classical, Folk, Romantic Period. Score and parts. 31 pages. Gordon Cherry #3668001. Published by Gordon Cherry
Brahms Twelve Songs, Opus 44 were originally composed between 1859 and 1866 for his Women\'s Chorus in Hamburg, which he founded in 1959. These songs are some of the only a cappella works of his. Several of the songs have folk origins, however No. 10 is more serious (If You Walk Through the Churchyard). This collection is Brahms\' nod to the choral traditions of the Renaissance and early Baroque.<br> <br> Mr. Sauer has produced a lovely score that is perfect for intermediate level performers, the music being in bass clef and of moderate technical difficulty and range. Each song is between 1 and 2 minutes in length.
$27.50
25.31 €
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Quatuor de cuivres: 4 trombones
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Johannes Brahms (1833-1897)
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Sauer, Ralph
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Twelve Songs, Op. 44 for 4-part Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
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